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  <front>
    <journal-meta>
      <journal-id journal-id-type="publisher-id" xml:lang="en">Hermeneutics of Old Russian Literature</journal-id>
      <journal-title-group>
        <journal-title>Hermeneutics of Old Russian Literature</journal-title>
      </journal-title-group>
      <issn publication-format="print">1607-6192</issn>
      <issn publication-format="electronic">2713-2226</issn>
      <publisher>
        <publisher-name xml:lang="en">IWL RAS</publisher-name>
      </publisher>
    </journal-meta>
    <article-meta>
      <article-id pub-id-type="doi">https://doi.org/10.22455/HORL.1607-6192-2026-25-99-131</article-id>
      <article-categories>
        <subj-group subj-group-type="article-type" xml:lang="en">
          <subject>Research Article and Publication of Archival Documents</subject>
        </subj-group>
        <subj-group subj-group-type="heading" xml:lang="en">
          <subject>Articles</subject>
        </subj-group>
      </article-categories>
      <title-group>
        <article-title>Nature and Functions of Hymnographic Interpolations in the Messages of Prince Simeon Shakhovskoy</article-title>
      </title-group>
      <contrib-group>
        <contrib contrib-type="author">
          <name name-style="western" xml:lang="en">
            <surname>Malyuta</surname>
            <given-names>Evgeny G.</given-names>
          </name>
          <email>old-rus@imli.ru</email>
        </contrib>
      </contrib-group>
      <pub-date pub-type="collection">
        <year>2026</year>
      </pub-date>
      <issue>25</issue>
      <fpage>99</fpage>
      <lpage>131</lpage>
      <permissions>
        <copyright-statement>Copyright © 2026, IWL RAS</copyright-statement>
        <copyright-year>2026</copyright-year>
      </permissions>
      <abstract>The article’s dedicated to exploring the peculiarities of Prince Simeon Shakhovskoy’s use of quotes from various liturgical sources in his private letters. It focuses primarily on the author’s different approaches to incorporating liturgical materials into works that are explicitly not hymnic, serving specific purposes. The study examines a series of letters written by Prince Simeon: a theological and polemical treatise, several letters concerning book-related matters, and two petitions. It analyzes the reasons and methods for including hymnic fragments in the texts of these letters, demonstrating the significance of such passages in the author’s argumentation system, as well as their semantic and stylistic functions. The research showcases Shakhovskoy’s flexible approach to employing both direct hymnic interpolations and allusions to well-known, easily recognizable moments from the liturgical cycle. The author’s attention to the stylistic and emotional expressiveness of these passages, often included in contexts that are not typical for them, thereby acquiring new, unexpected connotations, is emphasized. With this focus of study, Shakhovskoy’s literary mastery becomes evident as he adapts hymnic material to achieve the primary objective of each specific letter.</abstract>
    </article-meta>
  </front>
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</article>
